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Viggo Mortensen: “Peter Jackson has gone effects mad with later Lord of the Rings and Hobbit movies”

May 16th, 2014 by Marc Comments

Viggo Mortensen has been chatting to the Telegraph and, in a rather frank conversation, talks about how he thinks Lord of the Rings and The Hobbit director Peter Jackson has let CGI get the better of his films and how the first trilogy was touch and go at points. It’s worth noting that Mortensen played Aaragon in the LOTR trilogy.

Talking first about the shooting of the original three movies, Mortensen said: “It was very confusing, we were going at such a pace, and they had so many units shooting, it was really insane. But it’s true that the first script was better organised.

“Also, Peter was always a geek in terms of technology but, once he had the means to do it, and the evolution of the technology really took off, he never looked back. In the first movie, yes, there’s Rivendell, and Mordor, but there’s sort of an organic quality to it, actors acting with each other, and real landscapes; it’s grittier. The second movie already started ballooning, for my taste, and then by the third one, there were a lot of special effects. It was grandiose, and all that, but whatever was subtle, in the first movie, gradually got lost in the second and third. Now with The Hobbit, one and two, it’s like that to the power of 10.”

But wasn’t the trilogy filmed together? How could the second two be so effects heavy and, well, fake?: “Anybody who says they knew it was going to be the success it was, I don’t think it’s really true. They didn’t have an inkling until they showed 20 minutes in Cannes, in May of 2001. They were in a lot of trouble, and Peter had spent a lot. Officially, he could say that he was finished in December 2000 – he’d shot all three films in the trilogy – but really the second and third ones were a mess. It was very sloppy – it just wasn’t done at all. It needed massive reshoots, which we did, year after year. But he would have never been given the extra money to do those if the first one hadn’t been a huge success. The second and third ones would have been straight to video.”

Regarding the Hobbot trilogy and the over use of CGI: “I guess Peter became like Ridley Scott – this one-man industry now, with all these people depending on him. But you can make a choice, I think. I asked Ridley when I worked with him (on 1997’s GI Jane), ‘Why don’t you do another film like The Duellists [Scott’s 1977 debut, from a Joseph Conrad short story]?’ And Peter, I was sure he would do another intimately scaled film like Heavenly Creatures, maybe with this project about New Zealanders in the First World War he wanted to make. But then he did King Kong. And then he did The Lovely Bones – and I thought that would be his smaller movie. But the problem is, he did it on a $90 million budget. That should have been a $15 million movie. The special effects thing, the genie, was out of the bottle, and it has him.”

So, do you guys agree? Has Peter Jackson become a slave to technology when it comes to effects in his work? Let us know in the usual ways and please, no “George Lucas did it first” comments…


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Marc is a self-confessed nerd. Ever since seeing Star Wars for the first time around 1979 he’s been an unapologetic fan of the Wars and still believes, with Clone Wars and now Underworld, we are yet to see the best Star Wars. He’s a dad of two who now doesn’t have the time (or money) to collect the amount of toys, comics, movies and books he once did, much to the relief of his long-suffering wife. In the real world he’s a graphic designer. He started Following the Nerd because he was tired of searching a million sites every day for all the best news that he loves and decided to create one place where you can go to get the whole lot. Secretly he longs to be sitting in the cockpit of his YT-1300 Corellian Transport ship with his co-pilot Chewie, roaming the universe, waiting for his next big adventure, but feels just at home watching cartoons with his kids….

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